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Association for Information Systems (AIS) Special Interest Group
(SIG) e-culture Pre-ICIS 05 ( “Cultural Heritage and Open Tourism” |
SIG e-culture |
CALL FOR PAPERS
See last year’s papers of
the pre-ICIS 04 in Washington
Under the high patronage of:
·
Rick
Watson,
·
Claudia
Loebbecke,
Program chairs
·
Gabriele
Piccoli, Cornell University, USA
·
Bernard
Frisher,
Organization chairs
·
Marianna
Sigala, The University of Aegean, Greece, m.sigala@aegean.gr
·
Oleg
Missikoff,
Deadline:
September, 30
Program committee :
·
Marie-Claude
Boudreau,
·
Alessandro
d’Atri, LUISS University, Rome, Italy
·
Henri
Isaac, Paris Dauphine University, France
·
Hajer
Kefi, Paris Dauphine University, France
·
Heinz
Klein, State
·
Karen
Loch,
·
Miltiadis
Lytras,
·
Marco
de Marco, Universita Catholica, Milan, Italy
·
Emmanuel
Monod,
·
Peggy
Papadopoulou,
·
Arjan Raven,
·
Detmar
Straub,
CALL
“Cultural heritage and tourism” covers a wide range of
research areas including :
·
Cultural heritage information systems,
·
e-culture
·
Virtual heritage and digital heritage
·
Ubiquitous commerce applied to cultural heritage
·
Ubiquitous tourism
·
·
Open systems in tourism and cultural heritage
·
Ubiquitous computing applied to tourism
·
Computer
applications for archaeology.
These
research areas are dealing with the usage of Information Systems (IS) cultural
heritage institutions and tourism institutions. Cultural heritage institutions
include museums, archives, libraries and also archeological sites. Typical
types of IS involved in cultural heritage and tourism are ubiquitous commerce
(u-commerce) systems, open systems, mobile technologies and virtual reality.
Traditionally,
cultural heritage institutions are driven by a service ideal, because they have
a special commitment to serve the public at large. They are also often public
administrations. In this respect, e-culture is close to e-administration. In
accordance with this mission, they would tend to provide free access to
cultural heritage resources. Historically, these institutions have been
suspicious of any commercial exploitation of the cultural heritage, because they
were especially afraid of a vulgarization of this heritage. However, two
phenomena tend to challenge this classical mission: (i) the need to raise financial
resources independently from public funding, and (ii) the increasing request
from the users and tourists for high quality and value added services.
At
the other extreme of the range of opions, potential
investors and IT companies must justify the return on
investment of any project. Companies have to consider their investments in the field
of cultural heritage not only as philanthropic programs, but also as marketing
and sales operations. While, indeed, many cultural heritage institutions in
A
common ground for the two logics of service vs. economic viability,
is that cultural heritage institutions are the guardians of trusted knowledge,
which needs to be maintained for many purposes such as[A1]
education, tourism, or even entertainment. Indeed, for these institutions, the combination
of financial and marketing trends creates a “go commercial” pressure that
obliges them to change at least their business model. For instance, the museums
have to move from mere collections to narrative connections between displays
and to providing new experiences for the visitors. At a national level, even if
cultural heritage represents a direct contribution of only 8% of the world-wide
GDP, when countries like France, Spain of Italy are ranked among the first
worldwide revenue for tourism, cultural heritage does play an important
economic role[A2] .
(Digicult report, 2003)
In
this context, it should be noted that Information Technologies (IT) have been used in the past primarily for their transactional
potential, instance, e.g. ticketing, because their contribution to the appreciation[A3] of the content has been extremely limited. For instance, an
estimated 95% of all cultural heritage institutions in
This
might appear extremely frustrating when a growing number of Information
Technologies may have an important contribution to make to the
to the appreciation of cultural heritage. Among these technologies are mobile
technologies, ubiquitous computing and networks, virtual reality technologies,
hypermedia, data compression, data mining, OLAP or rich media.
This
is why not only IT but also Information Systems (IS) needs to play a key role
in the evolution of cultural heritage institution. Rethinking processes like
knowledge management, content creation and management or customer relationship
management might help to analyze the possible adaptation of cultural heritage
contents to market needs. IS as a disciplines has
addressed not only IT and processes, but also organizational transformation,
project management, ontologies
and change management.
Possible
topics include (but are not limited to) :
·
u-commerce in tourism and cultural heritage
·
open systems
in tourism and cultural heritage
·
·
Personalization, individualization, Data mining, one
to one marketing and cultural heritage
·
Theoretical background for cultural heritage
transformation
·
Marketing of art
and Information Technologies
·
Virtual Reality and Cultural Heritage
·
Cultural Heritage Information Systems
·
Ontology and KM in culture
·
E-learning in tourism and cultural heritage
AIS SIG e-culture website : http://cis.gsu.edu/~emonod/e-culture/
Open Tourism website : http://www.opentourism.org
Final manuscripts in English should
be submitted electronically to Oleg Missikoff, LUISS University of Rome, at omissikoff@luiss.it
Preparation of the manuscript
Authors are urged to write as concisely
as possible. Submissions should be line spaced at 1.5 with wide margins on one
side of the page. A manuscript, which should not have less
than 2000 words and should not exceed 4000 words. It should consist of
the sections listed below.
Title page: This should include in the
following order of presentation: title of paper, suggested running headline of
not more than 45 characters including spaces, followed by the author's name,
department, institution, city, country and number of words. A second copy of
the title page should be provided without the author's details to facilitate
'blind' refereeing.
Abstract : 20 to 100 words
Keywords : a list of 5 to 10 keywords is
expected
Main text: The text should begin on a new
page, preceded by a short abstract, and a list of between four
and six keywords should be provided for guidance. All pages should be
numbered consecutively including the title page.
Author biographies: A biography for each author of
about 100-200 words should be supplied as a separate file, including
email addresses of all authors.
Copyright
Submission of a
paper will be taken to imply that it presents original, unpublished work, not
under consideration for publication elsewhere.